![]() Ranked in order of preference My Golden Lion: Birth (USA, dir. Jonathan Glazer) - The thrill and obscenity of passionate attachment, framed by pearly but perverse wealth; Kidman, Savides, Desplat are a heroic trio (favorites review) Palindromes (USA, dir. Todd Solondz) - Solondz finally spits it out: pedophiles suck but so do lots of other ways we over-invest in kids; very precise mood and tension Kings and Queen (France, dir. Arnaud Desplechin) - Desplechin pours melodramatic and farcical elements into stylistic centrifuge, releasing great energy, just short of spinning apart Vera Drake (UK, dir. Mike Leigh) - Defers big, aching plot reveal without seeming jerry-rigged, because communal portrait is evocative and detailed; great acting, lensing (full review) Howl's Moving Castle (Japan, dir. Hayao Miyazaki) - Hard not to equate with the castle: awfully busy and a little rickety, yet it holds together, even enthralls, and is fully its own thing 3-Iron (South Korea, dir. Kim Ki-duk) - Uncanny, prowling POV camera unlinked to any character, yet film feels composited from ideas not fresh enough to linger or fully cohere 5x2 (France, dir. François Ozon) - Ozon's sketchbook cinema continues: another diaphanous idea for a feature, but filming has grace, and Valeria Bruni-Tedeschi has more Vanity Fair (UK/USA, dir. Mira Nair) - Nair has two ideas: Becky as plucky pre-feminist, England awash in faux Indianness; both can feel shaky, but it's something to look at The Sea Inside (Spain, dir. Alejandro Amenábar) - I just couldn't find the movie; flat camera setups and story structure; begs for maudlin reactions while acting as if it's above them Competition Films I'm Curious to See: Ranked in order of interest; full lineup available here (opens in a new window) The Intruder, France, dir. Claire Denis; The World, China, dir. Jia Zhangke; Café Lumière, Taiwan, dir. Hou Hsiao-hsien; The Keys to the House, Italy, dir. Gianni Amelio; Stray Dogs, Iran, dir. Marziyeh Meshkini; Land of Plenty, USA/Germany/Canada, dir. Wim Wenders; Promised Land, Israel, dir. Amos Gitaï |
Trackbacks: | Permalink | Venice Page | 2004 | Home | Blog |