Best Kept Secret: The Chicago Film Festival
What, you don't have hometown pride? The Golden Hugo of the Chicago Film Festival may not does not carry
the same cachet as a Palme d'Or or a Golden Lion. I admit that before moving to the Windy City
in 2006, I didn't even know it hosted a festival, though it turns out to be the oldest competitive festival in North America. The October timeline ensures that Chicago's event, even if it changed in character, will always be overshadowed by the
trifecta of Venice, Telluride, and Toronto in the preceding month.
Here, however, is why I make a point of always being in town for the Chicago Film Festival instead of
aiming to hit those other circuses: Chicago's is a fantastic festival, culling lots of the high-profile titles from those earlier fests (plus Cannes and Berlin).
Not that everything's imported from other events; I love how often I've relished features like The Aerial and the Hugo-winning Mississippi
Damned that elsewhere flew under the radar. Though we get our share of stars on our red carpets, there is no sales market per se, and very few high-profile premieres, so the theaters aren't phalanxed with scouts,
execs, and reporters, Blackberrying their price quotes or blocking you with their camera crews. It is truly a festival for movie-lovers, chock-full of films, minus all the
distractions, and it's a heck of a lot cheaper to attend than New York's. When the likes of Laura Linney visits, no palace guards or E! types stop me from
walking right up to say hello. And though I'm sure it pays their bills to offer
Gala Presentations of prestige studio titles and arthouse buzz-builders soon to open commercially in the fall and winter, I can't tell you how much I savor the festival's
broad and ongoing commitment to international narratives, documentary, shorts, and locally produced work.
So, yes, with all that in mind, I am adding this Chicago Film Festival special section to the website, amidst the build-up to its 46th iteration in Fall 2010. Make sure
you're in the frames version if you aren't already, and enjoy toggling around to see what I watched each year, and what the juries,
the collective audience, and I placed at the top of the heap among each year's offerings.
My Preferential Rankings of
the Golden Hugo Winners
Like Summer in Chicago
00 Amores perros, Mexico, dir. Alejandro
González Iñárritu
08 Hunger, UK, dir. Steve McQueen
01 Fat Girl (À ma soeur!), France,
dir. Catherine Breillat
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My Preferential Rankings of
the Audience Award Winners
Like Summer in Chicago
00 Amores perros, Mexico, dir. Alejandro
González Iñárritu
02 Bowling for Columbine, USA, dir.
Michael Moore
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Like Autumn in Chicago
97 The Winter Guest, UK, dir. Alan Rickman
09 Mississippi Damned, USA, dir. Tina Mabry
07 Silent Light, Mexico, dir. Carlos Reygadas
03 Crimson Gold, Iran, dir. Jafar Panahi
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Like Autumn in Chicago
09 Precious, USA, dir. Lee Daniels
01 Amélie, France, dir. Jean-Pierre Jeunet
07 Control, UK, dir. Anton Corbijn
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Like "Spring" in Chicago
04 Kontroll, Hungary, dir. Nimród Antal
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Like "Spring" in Chicago
06 The Queen, UK, dir. Stephen Frears
05 North Country, USA, dir. Niki Caro
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Like Winter in Chicago
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Like Winter in Chicago
08 Slumdog Millionaire, UK, dir. Danny Boyle
03 Pieces of April, USA, dir. Pete Hedges
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Dunno, Haven't Been Yet
94 71 Fragments of a Chronology of Chance,
Austria, dir. Michael Haneke
95 Maborosi, Japan, dir. Hirokazu Kore-eda
96 Ridicule, France, dir. Patrice Leconte
98 The Hole, Taiwan, dir. Tsai Ming-liang
99 Sachs' Disease, France, dir. Michel Deville
02 Madame Satã, Brazil, dir. Karim Ainouz
05 My Nikifor, Poland, dir. Krzysztof Krauze
06 Fireworks Wednesday, Iran, dir. Asghar
Farhadi
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Dunno, Haven't Been Yet
95 Midaq Alley, Mexico, dir. Jorge Fons
97 Secrets of the Heart, Spain, dir. Montxo
Armendáriz
08 The Boy in the Striped Pyjamas, UK,
dir. Mark Herman
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