dir. Erick Zonca
world premiere 2008
U.S. release 2009
Because Zonca supersedes the dichotomous dramatics of his best-known feature with a new, more heightened
style, indistinguishable as realism or expressionism given the hyperactivity and epically poor judgment of the lead character and many
of her intimates. Tilda Swinton assumes the headspace, the physicality, the glands, and the bloodstream of a totally dissimilar person.